289 KENT AVENUE BROOKLYN NY 11249
Fri Jan 17, 2014
Doors: 8:30 pm / Show: 8:30 pm (event ends at 11:30 pm)
Tickets Available at the Door
This event is 21 and over
Jessy Lanza’s debut album, ‘Pull My Hair Back’, co-written and co-produced with Jeremy Greenspan from Junior Boys is a 2013 flagship for what electronic pop could sound like, stripped of bloated, behaviourist impulses that treat listeners like lab rats. It’s graceful and erotic without the gratuitous close ups, icey and sensual, sweet without rotting your teeth, emotional but with enough blue glow to pull your heart strings. Jessy’s voice flutters through the synths seductively, insistent without the over-singing and grating choruses that plague so much contemporary pop. Jessy has a background as a singer and skilled piano scholar, and the duo share a mutual love of collecting the old hardware synths and drum machines that grace this collection of songs. Transecting R&B, house, disco and 80s studio rock, the production is immaculate, reminiscent of early Junior Boys, treading that fine line between cold futurism and the R&B the duo are infatuated with.
The album opens with the bouncy, acidic bassline, plaintive piano and shimmering, delay effected vocals of ‘Giddy’. The ominous pitched down opening of ‘5785021’, gives way swiftly to a juddering pulse, insistent lyrics, bustling hi-hats and citric, crystalline synths. ‘Kathy Lee’ is a minimal, smouldering slow jam illuminated by smudged water colour keys, that switches into double time syncopation in the closing stretch. The song begs as many questions as it answers. Jessy’s vocals sound just at home over the fluttering-pitched synths of ‘Fuck Diamond’ and the album’s pop pinnacle, ‘Keep Moving’, where the tempo rises into classic disco, house and techno. ‘Against the Wall’ marches in with crunchy, metallic drums and a bumbling baseline. Jessy’s sweet, delayed voice rides a line through the gurgling, strobing synths creating a powerful contrast. The album’s title track stutters in with carefree, implied S&M directives and sour splashes under an ultraviolet glow. ‘As If’ throws a curve ball as its rolling, martial snares and walking bassline climax in a sour, acidic crescendo. And the album rounds off gracefully with the flood of endorphins of ‘Strange Emotion’.
"With R&B production work for an aspiring vocalist as the spark for their initial collaboration, Chicago musicians Jeremiah Chrome and Brandon Boom began working together as The-Drum at the tail end of 2010. Thankfully, while that initial project never bore fruit, a more personal, creative partnership bloomed from its foundering. The duo found their voice and began producing tracks that showcased their own refined strain of R&B; a smooth hybrid of ominous, chopped vocal samples, synths, and deep bellowing bass."
Tequila Mockingbird - $8
(Sauza Gold, Ginger Ale, Cranberry)
Negroni - $9
(Well gin, Campari, Vermouth)
Jameson Black & Stormy - $9
(Patron, Coffee, Campari, Ginger Ale)
Rolling Rock + Well Jammer - $9
Still pouring the strongest drinks in town. Cash only, Dad.